# Gilles

[View the canonical artwork record](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/gilles-r29de6a577ce22f>)

## Artwork

- Artist: [WATTEAU, Antoine](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe>)
- Date: 1701-1750
- Technique: Oil on canvas, 184,5 x 149,5 cm

## Commentary

The late pictures shows Watteau moving beyond the enchanted mythology of Cythera - not into deeper dreams but closer to disenchanted reality. After a few quite small pictures it was on a large scale that he summed up the sense of isolation and odd man out, in the Gilles. Though this is no self-portrait, the sense of self identification is very strong and adds to the poignant effect. The group of laughing actors in the background, with a clown tugged along Silenus-like on a donkey, is probably inspired by an engraving of Gillot&#39;s; but what had been his main subject is deliberately reduced by Watteau to a frieze of busts that do not interfere with the tall white figure of Gilles, perfectly still, posed frontally against the empty sky. Once again, a figure seems to assume clothes for a part. Just as in the Fête vénitienne Watteau&#39;s own sensitive features and beautifully articulated hands contrasted with his humble costume, so Gilles seems too dignified for the clown&#39;s white floppy tunic and abbreviated trousers. The moon-shaped hat encircles a vividly painted but solemn face, its lack of animation the more marked when compared with the boisterous lively faces behind. There is a complete separation between the group and the individual; they are active while he is idle, having fun while he remains unsmiling, welded into a self contained group while he gazes out directly at the spectator. It is difficult not to feel that Watteau intends his to be the real awareness. He stands there a little dumbly, himself with a smack of the berger but dependent, like all entertainers, on his audience. The picture&#39;s mood is complex and inexplicably moving; it seems to record not a prologue but an epilogue \(as so often in Watteau\), a silencing of laughter and the sort of hush that pricks the eyes with unshed tears.

## Related artworks

- [A Halt During the Chase](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/a-halt-during-the-chase-rb39a980eca466f>)
- [A Seated Woman](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/a-seated-woman-r93a030e02b0a96>)
- [Actors from the Comédie Française](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/actors-from-the-comdie-franaise-r952e703e0cc357>)
- [Actors of the Comédie-Française](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/actors-of-the-comdie-franaise-r82e487cb8be490>)
- [An Embarrassing Proposal \(detail\)](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/an-embarrassing-proposal-detail-r62ea358894518d>)
- [An Embarrassing Proposal](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/an-embarrassing-proposal-r6670e30b38f7f4>)
- [Back of Woman](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/back-of-woman-rb7382eed8781f0>)
- [Cajoler](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/cajoler-rac5d6bde57176b>)
- [Ceres \(Summer\)](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/ceres-summer-r819ded81da6b68>)
- [Chinese Musician and Chinese Woman](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/chinese-musician-and-chinese-woman-r875ea6cba213ab>)
- [Chinese Woman of Kouei Tchéou](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/chinese-woman-of-kouei-tchou-r1af0f99980de9f>)
- [Diana at her Bath](<https://beta.wga.hu/artists/watteau-antoine-r597e1c5a08bdbe/diana-at-her-bath-r6de4bca5ae3236>)

## Attribution

[Web Gallery of Art](<https://beta.wga.hu/pages/about>)
