# Wall Clock \(Pendule\) [View the canonical artwork record]() ## Artwork - Artist: [MEISSONNIER, Juste-Aurèle]() - Date: 1701-1750 - Technique: Gilt bronze, enameled metal, wood carcass, glass, 133 x 67 x 14 cm ## Commentary Wall Clock \(Pendule\) 1735-40 Gilt bronze, enameled metal, wood carcass, glass, 133 x 67 x 14 cm J. Paul Getty Museum, Los Angeles The clock's swirling leaves and asymmetrical overall design are typical of the work of Juste-Aurèle Meissonnier, a designer and goldsmith and one of the leading exponents of the Rococo style. Such clocks, also known as pendules d'alcove \(alcove clocks\), were usually small, suitable for hanging in an alcove above a bed. The repeating mechanisms that chimed the nearest hour and quarter hour when a string was pulled eliminated the need to light a candle to see the dial. They also prevented the constant chiming that would awaken a sleeper. This is the largest known example of the pendule d'alcove, indicating that it was made for an extremely imposing interior. The figures on this clock represent Love conquering Time, a theme often repeated on mid-eighteenth century French clocks. The two cherubs above carry away the scythe and hourglass, the symbols of Time, while Time himself lies vanquished below with his globe, protractor, and pair of compasses. ## Related artworks - [Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste-Aurèle Meissonnier']() - [Design for a Large Centrepiece and Two Terrines in Silver]() - [Design of a Couch for Count Bilenski]() - [Projet d'une grande Pendule, from 'Oeuvre de Juste-Aurèle Meissonnier']() - [Three-branched candlestick]() ## Attribution [Web Gallery of Art]()