# Drinking Party with a Lute Player

[View the canonical artwork record](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/drinking-party-with-a-lute-player-r4f1293a0625229>)

## Artwork

- Artist: [TOURNIER, Nicolas](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7>)
- Date: 1601-1650
- Technique: Oil on canvas, 120 x 060 cm

## Commentary

Drinking Party with a Lute Player c. 1623 Oil on canvas, 120 x 060 cm Musée du Berry, Bourges In the 1620s in Roman circles, a definite change came about in the subject matter of musical paintings. The representation of figures playing musical instruments in &#39;cultivated&#39; domestic interiors \(the direct descendants of Caravaggio&#39;s &lt;A onclick=&#34;return OpenOther\(&#39;/html/c/caravagg/01/091lute.html&#39;\)&#34; HREF=&#34;/html/c/caravagg/01/091lute.html&#34;&gt;Lute Player&lt;/A&gt; and &lt;A onclick=&#34;return OpenOther\(&#39;/html/c/caravagg/01/06concer.html&#39;\)&#34; HREF=&#34;/html/c/caravagg/01/06concer.html&#34;&gt;Musicians\)&lt;/A&gt; disappeared. Within the space of a very few years they were replaced by large numbers of representations of concerts in public places and &#39;popular&#39; locations. These themes were explored by Tournier in such works as the Drinking Party with a Lute Player, in which boisterous groups of figures sit around a table in a tavern. This painting is a perfect example of what the seventeenth-century German historian Joachim van Sandrart called the &#39;Manfrediana methodus&#39;, or Manfredi&#39;s method. According to Sandrart, Bartolomeo Manfredi&#39;s followers preferred to paint &#39;soldiers who played cards, musicians who played various instruments and other similar half-length figures.&#39; Tournier, one of the most important French Caravaggist painters active in Rome during the 1620s, was undoubtedly ruments in &#39;cultivated&#39; domestic interiors \(the direct descendants of Caravaggio&#39;s &lt;A onclick=&#34;return OpenOther\(&#39;/html/m/manfredi/tavern.html&#39;\)&#34; HREF=&#34;/html/m/manfredi/tavern.html&#34;&gt;influenced by Manfredi.&lt;/A&gt; &lt;P&gt; &lt;TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR=&#34;\#99CCCC&#34;&gt; &lt;TR VALIGN=MIDDLE&gt;&lt;TD&gt;&lt;IMG SRC=&#34;/support/gif/listen.gif&#34; BORDER=0 VALIGN=MIDDLE&gt; Suggested listening \(streaming mp3, 2 minutes\):&lt;BR&gt;&lt;A HREF=&#34;\#&#34; onClick=&#34;w=window.open \(&#39;/music1/schubert/schubert\_d905\_laute.html&#39;, &#39;newWin&#39;, &#39;scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350&#39;\);w.opener=this;w.focus\(\);return true&#34;&gt;&lt;B&gt;Franz Schubert: An die Laute \(To the Lute\) D 905&lt;/B&gt;&lt;/A&gt; &lt;/TD&gt;&lt;/TR&gt;&lt;/TABLE&gt;

## Related artworks

- [Crucifixion](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/crucifixion-r43f4a80a1db686>)
- [Denial of St Peter](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/denial-of-st-peter-rc7d897cc93585b>)
- [Entombment](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/entombment-rd193733ecce6d1>)
- [Lute Player](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/lute-player-ra140c920d4434b>)
- [Merry Company](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/merry-company-r5aabb9f940de1e>)
- [Soldier](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/soldier-r2b5d7ebfd23cc0>)
- [St Paul](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/st-paul-r6f3a5f3153d920>)
- [The Guard Room](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/the-guard-room-r5099ac4a009cfd>)
- [The Guardian Angel](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/the-guardian-angel-r685fccdfbe1cdc>)
- [Victory of Constantine](<https://beta.wga.hu/artists/tournier-nicolas-r2a2ad4ff413ff7/victory-of-constantine-r07a7a09b155dea>)

## Attribution

[Web Gallery of Art](<https://beta.wga.hu/pages/about>)
