# Port-Blanc in Brittany

[View the canonical artwork record](<https://beta.wga.hu/artists/suzor-cot-marc-aurle-de-foy-r5380ca36e5a33e/port-blanc-in-brittany-r533546d4ba6700>)

## Artwork

- Artist: [SUZOR-COTÉ, Marc Aurèle de Foy](<https://beta.wga.hu/artists/suzor-cot-marc-aurle-de-foy-r5380ca36e5a33e>)
- Date: 1851-1900
- Technique: Oil on canvas, 65 x 81 cm

## Commentary

SUZOR-COTÉ, Marc Aurèle de Foy \(b.1869, Arthabaska, Québec, d. 1937, Daytona Beach\) Port-Blanc in Brittany 1906 Oil on canvas, 65 x 81 cm National Gallery of Canada, Ottawa The reception of Impressionism in Canada began about a decade later than in the US in the 1890s. Though the fashion for Canadian artists after 1890 was to study in Paris at the Ecole des Beaux-Arts or the leading private academies, it was rare for them to grapple with the technique of Impressionism. When they did, it was either a case of direct imitation of the French model, as with Helen McNicoll, or - and this applied to the majority - of briefly adopting a style as a transition to other approaches. For Marc Aurèle de Foy Suzor-Coté, the decorative structures and surfaces of Neo- and Post-Impressionism were finally of greater moment than the stylistic achievements of a Monet.

## Attribution

[Web Gallery of Art](<https://beta.wga.hu/pages/about>)
