# Pietà \(after Delacroix\) [View the canonical artwork record]() ## Artwork - Artist: [GOGH, Vincent van]() - Date: 1851-1900 - Technique: Oil on canvas, 74 x 62 cm ## Commentary <a href="\#" onClick="w=window.open \('/database/glossary/note02.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=400'\);w.opener=this;w.focus\(\);return false">Catalogue numbers:</a> F 630, JH 1775. This painting was executed <a onclick="return OpenOther\('/html/d/delacroi/4/412delac.html'\)" href="/html/d/delacroi/4/412delac.html">after a painting by Delacroix.</a> In September 1889, van Gogh did two copies of Delacroix's famous painting. Nothing could convey more clearly his need to record his own crisis in the features of another than these two copies. The face of the crucified Christ in the lap of a grieving Mary quite unambiguously has van Gogh's own features. The painter was to attempt this daring stroke once more, in his interpretation of Rembrandt's The Raising of Lazarus. Here, van Gogh gave his own features to a Biblical figure, who, like Christ, passed through Death into new Life. ## Related artworks - [A Cottage on the Heath and "The Protestant Barn"]() - [A Lane in the Public Garden at Arles]() - [A Meadow in the Mountains: Le Mas de Saint-Paul]() - [A Pair of Leather Clogs]() - [A Pair of Shoes]() - [A Pair of Shoes]() - [A Workman's Meal-Break]() - [Agostina Segatori in the Café du Tambourin]() - [Almond Tree in Blossom]() - [Apricot Trees in Blossom]() - [At Eternity's Gate \("Worn Out"\)]() - [Avenue of Plane Trees near Arles Station]() ## Attribution [Web Gallery of Art]()