# Self-Portrait [View the canonical artwork record]() ## Artwork - Artist: [BAROCCI, Federico Fiori]() - Date: 1551-1600 - Technique: Oil on canvas, 40 x 34 cm ## Commentary The way Barocci composed his flesh tints can be perceived as his individual hand. As a rule, he based them on a preparatory modelling of grey hues. In his self-portrait, he combined the grey and bluish-grey half-tones with single accents of vivid vermilion. His rendering of flesh tints distinguishes him from practically all his Italian contemporaries, and particularly influenced Rubens. The present work is probably a replica of the self-portrait at the Uffizi, Florence. ## Related artworks - [Aeneas' Flight from Troy \(detail\)]() - [Aeneas' Flight from Troy]() - [Annunciation]() - [Annunciation]() - [Double Portrait with the Della Rovere Family Emblem]() - [Face of a Woman with Downcast Eyes]() - [Francesco II della Rovere]() - [La Madonna del Gatto]() - [Madonna del Popolo]() - [Male Figure Stooping to Lift a Cauldron]() - [Portrait of a Gentleman]() - [Portrait of a Young Lady]() ## Attribution [Web Gallery of Art]()