# After the Bath [View the canonical artwork record]() ## Artwork - Artist: [DEGAS, Edgar]() - Date: 1851-1900 - Technique: Oil on canvas, 66 x 82 cm ## Commentary After the Bath c. 1895 Oil on canvas, 66 x 82 cm J. Paul Getty Museum, Los Angeles Edgar Degas often depicted women in awkward and inelegant poses, eliciting sharp criticism. An early practitioner of Realism, Degas captured women engaged in mundane tasks - laundresses ironing, prostitutes waiting for clients, and, most frequently, women bathing. The intimate subject of this painting, a woman bathing in a private interior, is one that invites voyeurism. Degas depicted the woman lying on a divan, while her maid dries or combs her hair. With her back pushed to the extreme foreground of the images, she seems to hold the viewer at bay. Bracing herself with her left arm, the woman uncomfortably raises her left leg against the edge of the bathtub. Such unnatural poses have perplexed critics of Degas's time, as they do viewers today. Some see these poses as an attempt to depict human movement not in idealized forms, but in ordinary, private behaviour. Others see such representations of women as misogynistic. ## Related artworks - [A Ballet Dancer in Position]() - [Absinthe Drinkers]() - [After the Bath. Woman Drying Herself]() - [At the Beach]() - [At the Café des Ambassadeurs]() - [At the Milliner's]() - [At the Milliner's]() - [At the Mirror]() - [At the Races in the Countryside]() - [Aux Ambassadeurs: Mademoiselle Bécat]() - [Ballerina with a Bouquet, Curtsying]() - [Ballet at the Paris Opéra]() ## Attribution [Web Gallery of Art]()