# Self-Portrait in the Workshop [View the canonical artwork record]() ## Artwork - Artist: [GOYA Y LUCIENTES, Francisco de]() - Date: 1801-1850 - Technique: Oil on canvas, 42 x 28 cm ## Commentary In this remarkable self-portrait that he painted in the early 1790s, Goya is at work on a large upright canvas, presumably a portrait, his eyes turned away from it towards his subject, which contemporary viewers might well have recognized as themselves. Bright sunshine floods from a large window behind the painter, and he wears a curious hat with candle holders on the brim. It was undoubtedly as a portrait painter that Goya won fame and advancement and the special praise of Carderera, who observed his 'astonishing facility for portrait painting. He customarily painted portraits in a single session and these were the most life-like.' To this Goya's son added a detail that explains the unusual hat, with metal candlesticks around the crown, that he wears in the self-portrait in his studio: 'He painted only in one session, sometimes of ten hours, but never in the late afternoon. The last touches for the better effect of a picture he gave at night, by artificial light.' Goya's biographer, Matheron, also commented on this practice: 'He was so jealous of the effect that - like our Girodet who painted at night, his head crowned with candles - he gave the last touches to his canvases by candlelight.' ## Related artworks - [A Lunatic behind Bars]() - [A Pilgrimage to San Isidro \(detail\)]() - [A Pilgrimage to San Isidro \(detail\)]() - [A Pilgrimage to San Isidro]() - [A Prison Scene]() - [A Procession of Flagellants]() - [A Village Bullfight]() - [A Walk in Andalusia]() - [Allegory of the City of Madrid]() - [As far back as his grandfather]() - [Asmodea]() - [Atropos \(The Fates\)]() ## Attribution [Web Gallery of Art]()