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St Thomas of Villanova - CAFÀ, Melchiorre - WGA
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CURRENT LOCATION · Sant'Agostino (Rome)

FILE
1077 × 1600 px · JPEG

03 — ARTWORK

St Thomas of Villanova

CAFÀ, Melchiorre →

MEDIUM
Marble, over life-size
TYPE
Religious
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PERIOD MUSIC

GIBBONS, Orlando (1583-1625) — A Mask: The Fairest Nymph

COMMENTARY

UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.

Cafà made a notable contribution to sculpted altars with this group, which was begun in 1663 for the Roman church of Sant'Agostino. The work was to replace an earlier painting of the same subject by Giovanni Francesco Romanelli, so an element of competition between painting and sculpture may have featured in the project.

Cafà envisaged an altar in which the saint stands in his niche and distributes alms to a woman and small children beneath who symbolize charity. This central tableau is surmounted by God the Father with angels, a work contributed by Ercole Ferrata, and flanked by of scenes from the life of the saint, executed much later by Andrea Bergondi (active 1743-1789). A surviving reveals that the saint was sculpted according to Cafà's intentions, but death prevented him from addressing the figures below. This task fell to Ferrata who translated Cafà's sculptural poetry into more mundane prose. The finished group is more restrained as well as scaled down.

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CITE THIS RECORD — BIBTEX

@online{wga-r9e5177e7b1c8d1,
  author       = {Krén, Emil and Marx, Daniel},
  title        = {St Thomas of Villanova by CAFÀ, Melchiorre},
  organization = {{Web Gallery of Art}},
  date         = {2026-09-14},
  url          = {https://beta.wga.hu/artists/caf-melchiorre-r2883a648ecc254/st-thomas-of-villanova-r9e5177e7b1c8d1},
  urldate      = {2026-09-14},
  langid       = {english}
}

ACCESSED 2026-09-14. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.

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