03 — ARTWORK
Baldacchino
- MEDIUM
- Marble
- TYPE
- Religious
PALETTE
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COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
In 1530 Giovanni Giacomo transferred his studio to Genoa, where, from 1532, he collaborated with Niccolò da Corte. The partnership was formalized in 1534, when Giovanni Giacomo, his son Guglielmo and da Corte set up a studio together, and it continued until 1537 when da Corte went to Spain and Guglielmo presumably went to Rome. The most important commissions undertaken by this partnership were the baldacchino in the chapela small separate place for worship, either part of a large church or a separate building. of San Giovanni Battista (1530-32) and the funerary monument to Giuliano Cybo, Bishop of Agrigento (both Genoa CathedralThe principal church of a province or diocese, where the throne of the bishop is placed. For reasons lost to time and tradition, a cathedral always faces west - toward the setting sun. The altar is placed at the east end. The main body, or nave, of the cathedral is usually divided into one main and two side aisles. These lead up to the north and south transepts, or arms of the cross, the shape in which a cathedral is usually formed.). The rectangular marbleloosely applied to any hard limestone that can be sawn into thin slabs and will take a good polish so that it is suitable for decorative work; more strictly, it refers to metamorphosed limestones whose structure has been recrystallized by heat or pressure. Marbles are widely disseminated and occur in a great variety of colours and patterns, but certain types have been particularly prized by sculptors. The most famous of Greek white marbles in the ancient world was the close-grained Pentelic, which was quarried at Mount Pentelicon in Attica. The Elgin Marbles are carved in Pentelic. Widely used also were the somewhat coarser-grained translucent white marbles from the Aegean islands of Paros and Naxos. Parian marble was used for the celebrated Mausoleum at Halicarnassus. The pure white Carrara marble, quarried at Massa, Carrara, and Pietra Santa in Tuscany from the 3rd century BC, is the most famous of all sculptors' stones. It was used for the Apollo Belvedere, and was much favoured in the Renaissance, particularly by Michelangelo, who often visited the quarries to select material for his work. Neoclassical sculptors also favoured Carrara marble because of its ability to take a smooth, sleek surface, but it can look rather 'dead' compared with some of the finest Greek marbles. baldacchino is raised on a platform, with a richly carved canopy supported on four porphyry columns. These rest on tall socles carved in high reliefA sculptural work in which all or part projects from the flat surface. There are three basic forms: low relief (bas-relief, basso rilievo), in which figures project less than half their depth from the background; medium relief (mezzo-rilievo), in which figures are seen half round; and high relief (alto rilievo), in which figures are almost detached from their background. on each face with figures of the prophets. Giovanni Giacomo contributed a considerable amount to this monument, in particular, some of the prophets on the socles of the baldacchino.
CITE THIS RECORD — BIBTEX
@online{wga-r7e59ab269c4bfc,
author = {Krén, Emil and Marx, Daniel},
title = {Baldacchino by CORTE, Niccolò da},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/corte-niccol-da-r26ca68b34bfbf1/baldacchino-r7e59ab269c4bfc},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
