03 — ARTWORK
Sèvres blue vase
DAMMOUSE, Albert-Louis · 1882 →
- MEDIUM
- Hard porcelain, height 34 cm
- TYPE
- Other
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
DAMMOUSE, Albert-Louis · 1882 →
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
This vase has pâte-sur-pâte decoration, flamed glazepaint applied so thinly that the base beneath it is visible through the layer. of high fire, enamelColoured glass in powder form and sometimes bound with oil, which is bonded to a metal surface or plaque by firing. decoration, heightened with gold.
Pâte-sur-pâte, (French: "paste on paste") is a method of porcelain decoration in which a reliefA sculptural work in which all or part projects from the flat surface. There are three basic forms: low relief (bas-relief, basso rilievo), in which figures project less than half their depth from the background; medium relief (mezzo-rilievo), in which figures are seen half round; and high relief (alto rilievo), in which figures are almost detached from their background. design is created on an unfired, unglazed body by applying successive layers of white slip (liquid clay) with a brush. The technique was first employed by the Chinese in the 18th century. It was introduced in Europe in about 1850 at Sèvres.
@online{wga-r3a17ae66e5981d,
author = {Krén, Emil and Marx, Daniel},
title = {Sèvres blue vase by DAMMOUSE, Albert-Louis},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/dammouse-albert-louis-r229669ad865aa3/svres-blue-vase-r3a17ae66e5981d},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
The archive catalogues no further works by this artist.
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