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Mourning Virgin and St John ('Dolenti') - DOMENICO DI NICCOLÒ - WGA
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03 — ARTWORK

Mourning Virgin and St John ('Dolenti')

DOMENICO DI NICCOLÒ · 1415 →

MEDIUM
Painted wood
TYPE
Religious

PALETTE

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PERIOD MUSIC

DUFAY, Guillaume (c. 1400-1474) — 6 Rondos

COMMENTARY

UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.

The wooden group depicting the Dolenti (the Madonna and St John the Evangelist) was made by the Sienese Domenico di Niccolò dei Cori between September 1414 and the beginning of 1415. Thanks to meticulous documentary research, it is discovered that the two figures were intended to flank a fourteenth-century Crucifix in walnut, long venerated as shown by these documents, inside the of Siena. The group, considered by important scholars to be the artist's , after various events, is now in the Opera Museum.

The two figures, with their massive and monumental shapes, are furrowed with nerve and wrinkled folds, typical elements of early 15th century sculpture. Strongly expressive and almost pathetic are both the faces, which show sadness, pain and resignation, and the hands. The mouth and eyes of the two figures also contribute to making tangible this pain that the figures want to express.

According to a long established practice for wooden sculpture, while Domenico di Niccolò dei Cori took care of carving wood, the painter Martino di Bartolomeo painted the two figures. The group has been restored on more than one occasion: last time in 1987, when the patina of candle smoke that obscured the two pieces was removed.

CITE THIS RECORD — BIBTEX

@online{wga-r1a61d3023f0f8d,
  author       = {Krén, Emil and Marx, Daniel},
  title        = {Mourning Virgin and St John ('Dolenti') by DOMENICO DI NICCOLÒ},
  organization = {{Web Gallery of Art}},
  date         = {2026-09-09},
  url          = {https://beta.wga.hu/artists/domenico-di-niccol-rc2243d286c5d4f/mourning-virgin-and-st-john-dolenti-r1a61d3023f0f8d},
  urldate      = {2026-09-09},
  langid       = {english}
}

ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.

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