03 — ARTWORK
Mourning Virgin and St John ('Dolenti')
- MEDIUM
- Painted wood
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
The wooden group depicting the Dolenti (the Madonna and St John the Evangelist) was made by the Sienese Domenico di Niccolò dei Cori between September 1414 and the beginning of 1415. Thanks to meticulous documentary research, it is discovered that the two figures were intended to flank a fourteenth-century Crucifix in walnut, long venerated as shown by these documents, inside the CathedralThe principal church of a province or diocese, where the throne of the bishop is placed. For reasons lost to time and tradition, a cathedral always faces west - toward the setting sun. The altar is placed at the east end. The main body, or nave, of the cathedral is usually divided into one main and two side aisles. These lead up to the north and south transepts, or arms of the cross, the shape in which a cathedral is usually formed. of Siena. The group, considered by important scholars to be the artist's masterpieceA term now loosely applied to the finest work by a particular artist or to any work of art of acknowledged greatness or of preeminence in its field. Originally it meant the piece of work by which a craftsman, having finished his training, gained the rank of'master' in his guild., after various events, is now in the Opera Museum.
The two figures, with their massive and monumental shapes, are furrowed with nerve and wrinkled folds, typical elements of early 15th century sculpture. Strongly expressive and almost pathetic are both the faces, which show sadness, pain and resignation, and the hands. The mouth and eyes of the two figures also contribute to making tangible this pain that the figures want to express.
According to a long established practice for wooden sculpture, while Domenico di Niccolò dei Cori took care of carving wood, the painter Martino di Bartolomeo painted the two figures. The group has been restored on more than one occasion: last time in 1987, when the patina of candle smoke that obscured the two pieces was removed.
@online{wga-r1a61d3023f0f8d,
author = {Krén, Emil and Marx, Daniel},
title = {Mourning Virgin and St John ('Dolenti') by DOMENICO DI NICCOLÒ},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/domenico-di-niccol-rc2243d286c5d4f/mourning-virgin-and-st-john-dolenti-r1a61d3023f0f8d},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.