03 — ARTWORK
Fontana dell'Acqua Felice (Moses Fountain)
- MEDIUM
- Travertine, marble
- TYPE
- Other
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Roman BaroqueThe period in art history from about 1600 to about 1750. In this sense the term covers a wide range of styles and artists. In painting and sculpture there were three main forms of Baroque: (1) sumptuous display, a style associated with the Catholic Counter Reformation and the absolutist courts of Europe (Bernini, Rubens); (2) dramatic realism (Caravaggio); and (3) everyday realism, a development seen in particular in Holland (Rembrandt, Vermeer). In architecture, there was an emphasis on expressiveness and grandeur, achieved through scale, the dramatic use of light and shadow, and increasingly elaborate decoration. In a more limited sense the term Baroque often refers to the first of these categories. The development of the Baroque reflects the period's religious tensions (Catholic versus Protestant); a new and more expansive world view based on science and exploration; and the growth of absolutist monarchies. fountains stand out as a novel reworking of a venerable civic tradition, especially when compared with fountains produced elsewhere in Italy. The major factor contributing to the new prominence of fountain design in Rome was a practical one: the restoration of the city's extensive network of ancient aqueducts. From the reign of Pope Nicholas V (1447-1455) onwards, most pontiffs paid attention to the city's water supply, both out of necessity and in emulation of their imperial predecessors. Some twenty fountains were erected between the reigns of Gregory XIII (1572-1585) and Clement VIII (1592-1602)
The Acqua Felice was built for Sixtus V by the brothers Giovanni and Domenico Fontana. Its design was adapted from Roman triumphal arches, complete with papal arms and a laudatory Latin inscription. Antiquethe classical age of Greece and Rome began with the Greek migrations of the 2nd millennium BC, and ended in the West in 476 AD with the deposition of the Roman emperor Romulus Augustulus (c. 475 AD); in the East it ended in 529 AD when the Platonic Academy was closed by Justinian (482 - 565 AD). columns of coloured marbleloosely applied to any hard limestone that can be sawn into thin slabs and will take a good polish so that it is suitable for decorative work; more strictly, it refers to metamorphosed limestones whose structure has been recrystallized by heat or pressure. Marbles are widely disseminated and occur in a great variety of colours and patterns, but certain types have been particularly prized by sculptors. The most famous of Greek white marbles in the ancient world was the close-grained Pentelic, which was quarried at Mount Pentelicon in Attica. The Elgin Marbles are carved in Pentelic. Widely used also were the somewhat coarser-grained translucent white marbles from the Aegean islands of Paros and Naxos. Parian marble was used for the celebrated Mausoleum at Halicarnassus. The pure white Carrara marble, quarried at Massa, Carrara, and Pietra Santa in Tuscany from the 3rd century BC, is the most famous of all sculptors' stones. It was used for the Apollo Belvedere, and was much favoured in the Renaissance, particularly by Michelangelo, who often visited the quarries to select material for his work. Neoclassical sculptors also favoured Carrara marble because of its ability to take a smooth, sleek surface, but it can look rather 'dead' compared with some of the finest Greek marbles. divide the main body into three fields, beneath which stands basins flanked by Egyptian and medieval stone lions. Although the quality of the sculpture is mediocre, its iconographic programme is noteworthy, for instead of mythological themes, biblical personages are portrayed. The central figure is a rather ungainly Moses by Leonardo Sormani (d. 1589) and Prospero Antichi (d. 1592); the lateral bays contain reliefs showing Aaron leading the Israelites to water and Joshua leading them across the Jordan with dry feet, carved by a group of minor sculptor.
@online{wga-rb82b97e2c6cbd9,
author = {Krén, Emil and Marx, Daniel},
title = {Fontana dell'Acqua Felice (Moses Fountain) by FONTANA, Domenico},
organization = {{Web Gallery of Art}},
date = {2026-09-14},
url = {https://beta.wga.hu/artists/fontana-domenico-rdad979072215c3/fontana-dellacqua-felice-moses-fountain-rb82b97e2c6cbd9},
urldate = {2026-09-14},
langid = {english}
}ACCESSED 2026-09-14. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.