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Pastoral Concert (Fête champêtre) - GIORGIONE - WGA
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03 — ARTWORK

Pastoral Concert (Fête champêtre)

GIORGIONE · 1509 →

MEDIUM
Oil on canvas, 110 x 138 cm
TYPE
Genre

PALETTE

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PERIOD MUSIC

BYRD, William (1543-1623) — Agnus Dei

COMMENTARY

UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.

This work is one of the mysteries of European painting: in spite of its undeniable quality and epochal importance, opinions are divergent concerning both its creator and its theme. It is the outstanding of the Venetian Renaissance, the summit of Giorgione's creative career, so much so that according to some it may have been painted, or at least finished, by Titian rather than Giorgione.

The painting has been interpreted as an of Nature, similar to Giorgione's Storm, which was undeniably painted by him; it was even viewed as the first example of the modern herdsman . Its message must be more complex than this. It is likely that the master consciously unified several themes in this painting, and the deciphering of symbols required a degree of erudition even at the time of its creation. During the eighteenth century the painting was known by the simple name of "Pastorale" and only subsequently was it given the title "" or "Concert champêtre", owing to its festive mood. Modern research has pointed out that the composition is in fact an allegory of poetry.

The female figures in the foreground are probably the Muses of poetry, their nakedness reveals their divine being. The standing figure pouring water from a glass jar represents the superior tragic poetry, while the seated one holding a flute is the Muse of the less prestigious comedy or poetry. The well-dressed youth who is playing a lute is the poet of exalted lyricism, while the bareheaded one is an ordinary lyricist. The painter based this differentiation on Aristotle's "Poetica".

The scenery is characterized by a duality. Between the elegant, slim trees on the left, we see a multi-levelled , while on the right, in a lush grove, we see a shepherd playing a bagpipe. Yet the effect is completely unified. The very presence of the beautiful, mature Muses provides inspiration; the harmony of scenery and figures, colours and forms proclaims the close interrelationship between man and nature, poetry and music. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 2 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/16_cent/milano_lute.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Francesco da Milano: Tre fantasie for lute</B></A> </TD></TR></TABLE>

CITE THIS RECORD — BIBTEX

@online{wga-r4e0476bfaab4d1,
  author       = {Krén, Emil and Marx, Daniel},
  title        = {Pastoral Concert (Fête champêtre) by GIORGIONE},
  organization = {{Web Gallery of Art}},
  date         = {2026-09-13},
  url          = {https://beta.wga.hu/artists/giorgione-re90fa051a86f8c/pastoral-concert-fte-champtre-r4e0476bfaab4d1},
  urldate      = {2026-09-13},
  langid       = {english}
}

ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.

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