21 — SELECTION
Buildings and plans (from 1640)
COMMENTARY
During the 1640s a change comes over Mansart's style. His buildings become freer in planning, more plastic in conception, and more classical in decoration. This is also the period when he seems to approach most closely the ideals of High Renaissance architecture in Italy, sometimes through direct borrowing, but sometimes apparently unconsciously.
SELECTED WORKS
30 RECORDS

Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Plan of the staircase
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Elevation of the Hôtel Carnavalet, Paris
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Plan of the Hôtel de Jars, Paris
MANSART, François
VIEW WORK →
Façade of the Hôtel de Jars, Paris
MANSART, François
VIEW WORK →
Aerial view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Aerial view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Interior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →
Exterior view
MANSART, François
VIEW WORK →