In the period of the International GothicEuropean art was characteristic of a rare uniformity for 60-70 years around 1400. Art historians have still not been able to come to an agreement on an appropriate name for it. The term "art around 1400" suits the style best which, because of its prevalence is referred to as international Gothic. The terms court style, soft style, beautiful style, trecento rococo and lyrical style, etc. are also used in art literature. Elements of style which were generally wide-spread, did not belong to any particular country and were characteristic of art in courts. In the second half of the 14th century, models appeared in court art in the circle of French-Flemish artists serving at French courts and Bohemian regions of the Emperor's Court which determined works of art all over Europe at the end of the century. Human figures, landscapes and spaces in a realistic approach were accompanied by a peculiar quality of dreams, decorative dynamism and deep emotional charge. It is called as a soft style on the basis of lyrical expressions and drapes: it is more than a simple system of formal motifs, it denominates a kind of behaviour. Artists of the period were engaged in learning the human soul until their attention was attracted to the world (e.g. Donatallo, Masaccio and Jan van Eyck). closed rooms in depictions of the birth of the Virgin, the Annunciationthe term for the event described in the Gospel according to St. Luke, when the Angel Gabriel brings the Virgin Mary the news that she is to bear her son, Jesus Christ. The Annunciation was among the most widespread pictorial subjects of European art during the Middle Ages and the Renaissance. and Virgin and Child had open windows that gave a view out on to a wide landscape, as if the holy events were happening in a building on the summit of a hill. The view through the window became a landscape painting.