03 — ARTWORK
Iphigenia, Princess of Diana
- MEDIUM
- Marble, height 75 cm
- TYPE
- Mythological
PALETTE
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- FILE
- 708 × 1070 px · JPEG
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Slodtz's work contains significant echoes of ClassicalRelating to the culture of ancient Greece and Rome (classical Antiquity). The classical world played a profoundly important role in the Renaissance, with Italian scholars, writers, and artists seeing their own period as the rebirth (the "renaissance") of classical values after the Middle Ages. The classical world was considered the golden age for the arts, literature, philosophy, and politics. Concepts of the classical, however, changed greatly from one period to the next. Roman literature provided the starting point in the 14th century, scholars patiently finding, editing and translating a wide range of texts. In the 15th century Greek literature, philosophy and art - together with the close study of the remains of Roman buildings and sculptures-expanded the concept of the classical and ensured it remained a vital source of ideas and inspiration. sculpture. His Iphigenia has an enigmatic smile, a somewhat vacant look, and pure, smooth features that are obviously meant to be a resurrection of Attic sculpture. Yet he is capable of conceiving large dynamic BaroqueThe period in art history from about 1600 to about 1750. In this sense the term covers a wide range of styles and artists. In painting and sculpture there were three main forms of Baroque: (1) sumptuous display, a style associated with the Catholic Counter Reformation and the absolutist courts of Europe (Bernini, Rubens); (2) dramatic realism (Caravaggio); and (3) everyday realism, a development seen in particular in Holland (Rembrandt, Vermeer). In architecture, there was an emphasis on expressiveness and grandeur, achieved through scale, the dramatic use of light and shadow, and increasingly elaborate decoration. In a more limited sense the term Baroque often refers to the first of these categories. The development of the Baroque reflects the period's religious tensions (Catholic versus Protestant); a new and more expansive world view based on science and exploration; and the growth of absolutist monarchies. compositions. His work, like that of a few other eighteenth-century artists, looks forward to the eclecticismA nineteenth and twentieth-century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. of the nineteenth century.
CITE THIS RECORD — BIBTEX
@online{wga-rff02515d9c0702,
author = {Krén, Emil and Marx, Daniel},
title = {Iphigenia, Princess of Diana by SLODTZ, René-Michel},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/slodtz-ren-michel-r3d9afef771d567/iphigenia-princess-of-diana-rff02515d9c0702},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
