Individual portraits

Rogier van der Weyden excelled in the genre of portrait. Unlike Jan van Eyck, he was no realist. He did not seek to capture the particular character of his model, but instead tried to create an ideal image. This approach was very popular with his contemporaries, and brought him considerable success in this genre. He was sought after by the grandest aristocrats and prelates, as well as by the wealthy bourgeoisie, who wanted him to record and embellish their features for posterity. Yet, depending on which historian you believe in, there are only between five and fourteen authenticated portraits by Rogier that have survived to this day.

Although he painted portraits throughout his entire career, many of them integrated into wider contexts and larger scenes, those of his individual portraits that have come down to us show a clear imbalance in their periods: the great majority were not done until the 1450s, and most of them were probably even as late as around 1460 and later.