03 — ARTWORK
Cleric with Book (possibly St Lawrence)
AMADEO, Giovanni Antonio · 1480 →
- MEDIUM
- Marble, height 56 cm
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · Ringling Museum of Art
03 — ARTWORK
AMADEO, Giovanni Antonio · 1480 →
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Cleric with Book (possibly St Lawrence) c. 1480 Marbleloosely applied to any hard limestone that can be sawn into thin slabs and will take a good polish so that it is suitable for decorative work; more strictly, it refers to metamorphosed limestones whose structure has been recrystallized by heat or pressure. Marbles are widely disseminated and occur in a great variety of colours and patterns, but certain types have been particularly prized by sculptors. The most famous of Greek white marbles in the ancient world was the close-grained Pentelic, which was quarried at Mount Pentelicon in Attica. The Elgin Marbles are carved in Pentelic. Widely used also were the somewhat coarser-grained translucent white marbles from the Aegean islands of Paros and Naxos. Parian marble was used for the celebrated Mausoleum at Halicarnassus. The pure white Carrara marble, quarried at Massa, Carrara, and Pietra Santa in Tuscany from the 3rd century BC, is the most famous of all sculptors' stones. It was used for the Apollo Belvedere, and was much favoured in the Renaissance, particularly by Michelangelo, who often visited the quarries to select material for his work. Neoclassical sculptors also favoured Carrara marble because of its ability to take a smooth, sleek surface, but it can look rather 'dead' compared with some of the finest Greek marbles., height 56 cm Ringling Museum of Art, Sarasota
Two Clerics (kneeling and standing, both beautifully carved), were once joined to a Virgin and Child now in the Philadelphia Museum of Art. Distinctive is their angular, energized drapery, sometimes described as "cartaceous" for its resemblance to crumpled paper. They may have originally been carved for the Arc of the Persian Martyrs, a sculptural complex in the church of San Lorenzo in Cremona made to house relics (parts of saint's bodies or objects with which they had contact).
@online{wga-r6c6c953d892c17,
author = {Krén, Emil and Marx, Daniel},
title = {Cleric with Book (possibly St Lawrence) by AMADEO, Giovanni Antonio},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/amadeo-giovanni-antonio-rf101d98e7427b8/cleric-with-book-possibly-st-lawrence-r6c6c953d892c17},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.