03 — ARTWORK
Interior view
- MEDIUM
- Photo
- TYPE
- Other
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
In seventeenth-century French architecture the interior layout of private quarters followed the three-room principle of antechamber, bedchamber (with or without alcove) and cabinetA small, private room where works of art, valuables and curiosities were kept and contemplated at leisure; over time the term was used for the collections themselves. Renaissance cabinets played an important role in the development of museums and art galleries.. The latter was the most intimate and withdrawn, but not necessarily the smallest room. It was usually decorated in a deliberate, original way. The importance accorded cabinets is reflected in the gilded and painted wainscoting that framed the paintings on display, accompanied by sculpted decoration.
The vogue for "precious" retreats (cabinets) never really waned in the seventeenth century, they simply became more brilliant in the second half of the century, glittering with mirrorsMirrors of glass 'silvered' on the back began to supplement those of polished metal in the 14th century, though it was only in the 16th century that high-quality glass ones were made (at Murano) on a scale that made them one of Venice's chief luxury exports. The connection between the increasing use of mirrors and the art of make-up (the mirror was a familiar symbol of vanity) and personal cleanliness is unexplored, but they had an influence on the development of the self-portrait in painting: Vasari assumed that Simone Martini (d. 1344) 'painted himself with two mirrors in order to get his head in profile'. Parmigianino (d. 1540) took self-scrutiny to a thoroughly introspective level in his Self-portrait in a (convex) Mirror. and gold like the Cabinet Doré in the Hôtel Lauzun, shown in the photo.
@online{wga-r5d53bc6e35faba,
author = {Krén, Emil and Marx, Daniel},
title = {Interior view by ARCHITECT, French},
organization = {{Web Gallery of Art}},
date = {2026-09-07},
url = {https://beta.wga.hu/artists/architect-french-rdae55df3ad7702/interior-view-r5d53bc6e35faba},
urldate = {2026-09-07},
langid = {english}
}ACCESSED 2026-09-07. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.