03 — ARTWORK
Interior view
- MEDIUM
- Photo
- TYPE
- Interior
PALETTE
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COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
The cathedralThe principal church of a province or diocese, where the throne of the bishop is placed. For reasons lost to time and tradition, a cathedral always faces west - toward the setting sun. The altar is placed at the east end. The main body, or nave, of the cathedral is usually divided into one main and two side aisles. These lead up to the north and south transepts, or arms of the cross, the shape in which a cathedral is usually formed. of Coutances incorporated the remains of an earlier Norman cathedral. The choirthe part of a church interior, usually raised and set apart from the rest of the church, reserved for the clergy to pray together, or for choral singing. Since Carolingian times, "choir" has been the word for the part of the central nave of the church extending over the crossing (the place where nave and transept intersect), and including the apse (a niche in the wall, roofed with a half dome) that often stands at the end of this area. was gradually renewed from west to east after about 1180. In contrast to the façadethe front or principal face of a building, especially one elaborately constructed; a blind façade is a façade that is purely decorative and does not relate to the structure of the building., which was only slightly altered, the navethe main interior space of a church building. It may have parallel aisles on each side, often separated from it by pillars, and is intersected by the transept, which cuts across it at the point where the choir begins. was so extensively restored that it is hardly possible to see that a large part of the RomanesqueStyle of art and architecture prevailing throughout most of Europe in the 11th and 12th centuries, the first style to achieve such international currency. The dominant art of the Middle Ages was architecture, and 'Romanesque', like 'Gothic', is primarily an architectural term that has been extended to the other arts of the period. As the name suggests, it indicates a derivation from Roman art, and sometimes Romanesque is used to cover all the developments from Roman architecture in the period from the collapse of the Roman Empire until the flowering of the Gothic roughly AD 500-1200. More usually, however, it is applied to a distinctive style that emerged, almost simultaneously, in several countries - France, Germany, Italy, Spain - in the 11th century. It is characterized most obviously by a new massiveness of scale, reflecting the greater political and economic stability that followed a period when Christian civilization seemed in danger of extinction. Romanesque painting and sculpture are generally strongly stylized, with little of the naturalism and humanistic warmth of classical or later Gothic art. The forms of nature are freely translated into linear and sculptural designs which are sometimes majestically calm and severe and at others are agitated by a visionary excitement that can become almost delirious. Because of its expressionistic distortion of natural form, Romanesque art, as with other great non-naturalistic styles of the past, has had to wait for the revolution in sensibility brought about by the development of modern art in order to be widely appreciated. walls have been retained there. The choir of Coutances, probably begun around 1220, presents a completely new building.
View the <a href="#" onClick="w=window.open ('/support/plans/zzzarchi/12c/2/2/coutance.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=400,height=600');w.opener=this;w.focus();return false">ground plan</a> of the Cathedral of Coutances.
CITE THIS RECORD — BIBTEX
@online{wga-ra2484967b0973c,
author = {Krén, Emil and Marx, Daniel},
title = {Interior view by ARCHITECT, French},
organization = {{Web Gallery of Art}},
date = {2026-09-12},
url = {https://beta.wga.hu/artists/architect-french-rdae55df3ad7702/interior-view-ra2484967b0973c},
urldate = {2026-09-12},
langid = {english}
}ACCESSED 2026-09-12. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
