03 — ARTWORK
Aerial view
- MEDIUM
- Photo
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
The church was begun by Bishop Ecclesius (reg 521-32) and financed by Julianus Argentarius, who spent 26,000 solidi on its construction; work progressed under bishops Ursicinus (reg 534-36) and Victor (reg 538-45), and the church was consecrated in 547 by Bishop Maximian.
The basic design is unquestionably Byzantine in conception and comprises a centrally planned octagoneight-sided central plan building, or any building with eight sides; occurred frequently in the Middle Ages, not just in architecture, but also in the design of crowns, as eight was considered to be a perfect number. with seven arched niches and a square apsed chancelinterchangeable with choir, sometimes the area in front of the altar. to the east, resting on eight piers, an enveloping ambulatorySemicircular or polygonal circulation space enclosing an apse or a straight-ended sanctuary. and galleryan upper story, similar to a tribune, running along the side of a building and open on one side to the interior; in a church (basilica) above the side aisles, over the ambulatory (central-plan building) and also over the west end. The gallery was used to keep certain groups of worshippers apart (women, noblemen)., and a narthexentrance porches in early basilican churches, and for interior vestibules across the western end of later churches. set obliquely to the church. Although its resemblance to Sts Sergios and Bakchos (now the Little Hagia Sophia) in Istanbul is obvious, there are considerable differences between the two buildings, among them being the greater vertical emphasis of San Vitale, which can probably be attributed to a local architect. The use of thin bricks held together by fairly wide bands of mortar also follows Byzantine practice, but the work of local craftsmen is again apparent in the domein architecture, hemispherical structure evolved from the arch, usually forming a ceiling or roof., which is made of terracottaUnglazed fired clay. It is used for architectural features and ornaments, vessels, and sculptures. tubes set in horizontal courses.
View the <a href="#" onClick="w=window.open ('/support/plans/zzzarchi/06c/3/sanvital1.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=400,height=600');w.opener=this;w.focus();return false">ground plan</a> of the building.
@online{wga-r3cef607bb2a183,
author = {Krén, Emil and Marx, Daniel},
title = {Aerial view by ARCHITECT, Italian},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/architect-italian-rba53e875123939/aerial-view-r3cef607bb2a183},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.