03 — ARTWORK
Interior view
- MEDIUM
- Photo
- TYPE
- Religious
PALETTE
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- FILE
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COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Italy remained closest to the classicalRelating to the culture of ancient Greece and Rome (classical Antiquity). The classical world played a profoundly important role in the Renaissance, with Italian scholars, writers, and artists seeing their own period as the rebirth (the "renaissance") of classical values after the Middle Ages. The classical world was considered the golden age for the arts, literature, philosophy, and politics. Concepts of the classical, however, changed greatly from one period to the next. Roman literature provided the starting point in the 14th century, scholars patiently finding, editing and translating a wide range of texts. In the 15th century Greek literature, philosophy and art - together with the close study of the remains of Roman buildings and sculptures-expanded the concept of the classical and ensured it remained a vital source of ideas and inspiration. language of architecture. San Miniato al Monte in Florence uses Corinthian columns and marbleloosely applied to any hard limestone that can be sawn into thin slabs and will take a good polish so that it is suitable for decorative work; more strictly, it refers to metamorphosed limestones whose structure has been recrystallized by heat or pressure. Marbles are widely disseminated and occur in a great variety of colours and patterns, but certain types have been particularly prized by sculptors. The most famous of Greek white marbles in the ancient world was the close-grained Pentelic, which was quarried at Mount Pentelicon in Attica. The Elgin Marbles are carved in Pentelic. Widely used also were the somewhat coarser-grained translucent white marbles from the Aegean islands of Paros and Naxos. Parian marble was used for the celebrated Mausoleum at Halicarnassus. The pure white Carrara marble, quarried at Massa, Carrara, and Pietra Santa in Tuscany from the 3rd century BC, is the most famous of all sculptors' stones. It was used for the Apollo Belvedere, and was much favoured in the Renaissance, particularly by Michelangelo, who often visited the quarries to select material for his work. Neoclassical sculptors also favoured Carrara marble because of its ability to take a smooth, sleek surface, but it can look rather 'dead' compared with some of the finest Greek marbles. veneer. The columns and capitals are rich in their spolia, framing the bichrome intarsiaInlaid cabinetwork composed of various woods. altar housing the supposed remains of the patron saint Minias, gleaming at the back of the cryptunderground chamber beneath the altar in a church, usually containing a saint's relics. Though the chamber is underneath the choir, it can extend as far as the crossing. It is not always completely underground, so that the choir and altar sometimes considerably higher than the nave and aisles; as a result, very impressive flights of steps were built to connect nave and choir..
The photo shows the interior of the church, view to the east.
View the <a href="#" onClick="w=window.open ('/support/plans/zzzarchi/11c/3/miniato.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=400,height=600');w.opener=this;w.focus();return false">ground plan</a> of San Miniato al Monte, Florence.
CITE THIS RECORD — BIBTEX
@online{wga-r618d7857f17007,
author = {Krén, Emil and Marx, Daniel},
title = {Interior view by ARCHITECT, Italian},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/architect-italian-rba53e875123939/interior-view-r618d7857f17007},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
