03 — ARTWORK
Viirgin and Child
- MEDIUM
- Tempera on wood, 97 x 71 cm (with original frame)
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Viirgin and Child c. 1450 TemperaA method of painting in which the pigments are mixed with an emulsion of water and egg yolks or whole eggs (sometimes glue or milk). Tempera was widely used in Italian art in the 14th and 15th centuries, both for panel painting and fresco, then being replaced by oil paint. Tempera colors are bright and translucent, though because the paint dried very quickly there is little time to blend them, graduated tones being created by adding lighter or darker dots or lines of color to an area of dried paint. on wood, 97 x 71 cm (with original frame) Gallerie dell'Accademia, Venice
The innovative position of the Virgin and Child, who are not portrayed frontally but in three-quarter profile, as if conversing, suggests the painting dates from the artist's later years.
@online{wga-rc24bcf9cb379db,
author = {Krén, Emil and Marx, Daniel},
title = {Viirgin and Child by BELLINI, Jacopo},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/bellini-jacopo-r76e8919d9e8152/viirgin-and-child-rc24bcf9cb379db},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.