Italian painter and draftsman. He was a nonconformist artzist who reacted against the popular late BaroqueGLOSSARYThe period in art history from about 1600 to about 1750. In this sense the term covers a wide range of styles and artists. In painting and sculpture there were three main forms of Baroque: (1) sumptuous display, a style associated with the Catholic Counter Reformation and the absolutist courts of Europe (Bernini, Rubens); (2) dramatic realism (Caravaggio); and (3) everyday realism, a development seen in particular in Holland (Rembrandt, Vermeer). In architecture, there was an emphasis on expressiveness and grandeur, achieved through scale, the dramatic use of light and shadow, and increasingly elaborate decoration. In a more limited sense the term Baroque often refers to the first of these categories. The development of the Baroque reflects the period's religious tensions (Catholic versus Protestant); a new and more expansive world view based on science and exploration; and the growth of absolutist monarchies. style and ennobled contemporary Roman painting with humanity and naturalismGLOSSARYGeneric term for scientific positions supported by natural insights. In fine arts and literature between approximately 1870 and 1900, Naturalism tried to reproduce the reality comprehended through sensory experience as realistically as possible, i.e. without idealising the object, but with scientific precision. In contrast to Realism, which was also based on the accurate description of natural occurrences, Naturalism concerns itself with the sensual dimensions of observation, whereby questions of morality and social criticism come to the fore. The spokesman for literary Naturalism was Emile Zola, who believed the artistic methods provided evidence of human existence.. In seeking to renew artists' study of nature and to return to the classicalGLOSSARYRelating to the culture of ancient Greece and Rome (classical Antiquity). The classical world played a profoundly important role in the Renaissance, with Italian scholars, writers, and artists seeing their own period as the rebirth (the "renaissance") of classical values after the Middle Ages. The classical world was considered the golden age for the arts, literature, philosophy, and politics. Concepts of the classical, however, changed greatly from one period to the next. Roman literature provided the starting point in the 14th century, scholars patiently finding, editing and translating a wide range of texts. In the 15th century Greek literature, philosophy and art - together with the close study of the remains of Roman buildings and sculptures-expanded the concept of the classical and ensured it remained a vital source of ideas and inspiration. tradition of Annibale Carracci and Raphael, Benefial anticipated NeoclassicismGLOSSARYA style in European art and architecture from the mid 18th century until the end of the 19th century. Based as it was on the use of ancient Greek and Roman models and motifs, its development was greatly influenced by the excavations at Pompeii and Herculaneum, and by the theories of the German art historian Johann Joachim Winckelmann (1717-1768). Intellectually and politically it was closely linked to the Enlightenment's rejection of the aristocratic frivolity of Rococo, the style of the Ancien Régime. Among Neoclassicism's leading figures were the French painter Jacques-Louis David (1744-1825), the German painter Anton Raffael Mengs (1728-1729), and the Italian sculptor Antonio Canova (1757-1822)..
When one of his paintings was rejected for exhibition at the PantheonGLOSSARYTemple built in Rome aloout 25 BC by Emperor Agrippa. Having a circular plan, and spanned by a single dome, it was one of the most distinctive and original buildings of ancient Rome. in 1703, Benefial displayed it in a pharmacist's window. In 1720, when he protested Pope Clement XI's decree that only Accademia di San Luca members could teach drawing, the ruling got revoked. Benefial's 1718 papal commission for a Roman church won him the title of Cavaliere. His paintings displayed tangible human figures, complex treatment of space, and warm, luminous colors. Along with frescoes and altarpieces, he painted numerous portraits. Because he partnered with inferior artists who then received credit, his paintings have often been misidentified.
When Benefial was finally elected into the Accademia di San Luca at age fifty-seven, he denounced its members' ignorance and mediocrity; he was expelled in 1755. His work then developed an almost crude realismGLOSSARYRealism (with an upper case "R"), also known as the Realist school, denotes a mid-nineteenth century art movement and style in which artists discarded the formulas of Neoclassicism and the theatrical drama of Romanticism to paint familiar scenes and events as they actually looked. Typically it involved some sort of sociopolitical or moral message, in the depiction of ugly or commonplace subjects. One of the main representatives and spokesmen was the painter Gustave Courbet. In the dispute about ways to represent reality, Realism rebelled against the idealistic and classicist tendencies in painting..
