03 — ARTWORK
St Christopher
- MEDIUM
- Oil on panel, 113 x 72 cm
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · Museum Boijmans Van Beuningen
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
In this painting St Christopher appears in a landscape charged with evil. His red cloak bunched up behind him, the giant Christopher staggers across the river, with the Christ Child on his back. According to legend, Christopher had served a king and the Devil himself in a search for a powerful and worthy master, a search which ended only when a hermit converted him to Christianity. The hermit stands at the edge of the water at lower right, but his treehouse has been transformed into a broken jug which houses a devilish tavern; above, a naked figure scrambles up a branch towards a beehive, a symbol of drunkenness. Across the river, a dragon emerges from a ruin, frightening a swimmer, while a town blazes in the shadowy distance. These and other sinister details recall the landscape on the exterior of the Haywain triptychA painting in three sections, usually an altarpiece, consisting of a central panel and two outer panels, or wings. In many medieval triptychs the two outer wings were hinged so that could be closed over the center panel. Early triptychs were often portable., but unlike the Haywain pilgrim, Christopher is well protected by the passenger he bears.
@online{wga-r0b162e5294e6f3,
author = {Krén, Emil and Marx, Daniel},
title = {St Christopher by BOSCH, Hieronymus},
organization = {{Web Gallery of Art}},
date = {2026-09-14},
url = {https://beta.wga.hu/artists/bosch-hieronymus-r0d0cb96519d18e/st-christopher-r0b162e5294e6f3},
urldate = {2026-09-14},
langid = {english}
}ACCESSED 2026-09-14. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.