03 — ARTWORK
Erminia and the Shepherds
- MEDIUM
- Oil on canvas
- TYPE
- Mythological
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · Private Collection
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Princess Erminia was a character in the epic poem La Gerusalemme liberata by Torquato Tasso. In this tale she falls in love with the Christian knight Tancred, and betrays her people to aid him. Once she discovers that Tancred is in love with Clorinde, however, she returns to join the Muslims. She subsequently steals Clorinde's armor then joins a group of shepherds.
In his paintings Claude creates a loose space, almost always leading the eye to infinity at some point, and often with a wide line of horizon. This space is filled with atmosphere which penetrates the trees standing in it and forms the continuum of the picture. Recession is established often without the use of linear perspectiveThe method of representing three-dimensional objects on a flat surface. Perspective gives a picture a sense of depth. The most important form of perspective in the Renaissance was linear perspective (first formulated by the architect Brunelleschi in the early 15th century), in which the real or suggested lines of objects converge on a vanishing point on the horizon, often in the middle of the composition (centralized perspective). The first artist to make a systematic use of linear perspective was Masaccio, and its principles were set out by the architect Alberti in a book published in 1436. The use of linear perspective had a profound effect on the development of Western art and remained unchallenged until the 20th century., by the subtle degradation of colour, usually in objects such as trees which have no sharp outline. Moreover, these objects may be disposed on a horizontal plane, as are, for instance, the trees covering the valley in the Erminia, in which the eye is led from the river to the extreme distance simply by the change in colour of the groves.
@online{wga-ra7116e6d35a5a7,
author = {Krén, Emil and Marx, Daniel},
title = {Erminia and the Shepherds by CLAUDE LORRAIN},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/claude-lorrain-rfda65e38588258/erminia-and-the-shepherds-ra7116e6d35a5a7},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.