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Erminia and the Shepherds - CLAUDE LORRAIN - WGA
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03 — ARTWORK

Erminia and the Shepherds

CLAUDE LORRAIN · 1666 →

MEDIUM
Oil on canvas
TYPE
Mythological
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PERIOD MUSIC

GIBBONS, Orlando (1583-1625) — A Mask: The Fairest Nymph

COMMENTARY

UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.

Princess Erminia was a character in the epic poem La Gerusalemme liberata by Torquato Tasso. In this tale she falls in love with the Christian knight Tancred, and betrays her people to aid him. Once she discovers that Tancred is in love with Clorinde, however, she returns to join the Muslims. She subsequently steals Clorinde's armor then joins a group of shepherds.

In his paintings Claude creates a loose space, almost always leading the eye to infinity at some point, and often with a wide line of horizon. This space is filled with atmosphere which penetrates the trees standing in it and forms the continuum of the picture. Recession is established often without the use of linear , by the subtle degradation of colour, usually in objects such as trees which have no sharp outline. Moreover, these objects may be disposed on a horizontal plane, as are, for instance, the trees covering the valley in the Erminia, in which the eye is led from the river to the extreme distance simply by the change in colour of the groves.

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CITE THIS RECORD — BIBTEX

@online{wga-ra7116e6d35a5a7,
  author       = {Krén, Emil and Marx, Daniel},
  title        = {Erminia and the Shepherds by CLAUDE LORRAIN},
  organization = {{Web Gallery of Art}},
  date         = {2026-09-13},
  url          = {https://beta.wga.hu/artists/claude-lorrain-rfda65e38588258/erminia-and-the-shepherds-ra7116e6d35a5a7},
  urldate      = {2026-09-13},
  langid       = {english}
}

ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.

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