03 — ARTWORK
Elijah Boardman
- MEDIUM
- Oil on canvas, 211 x 130 cm
- TYPE
- Portrait
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Ralph Earl was one of the foremost American painters of the late 18th century. Elijah Boardman was a prosperous textile merchant who fought in the Revolutionary War and eventually became a United States senator. Earl has provided clues to the background and personality of the sitter by posing him in a room of his dry-goods store at a stand-up desk and bookcase. The horizontal and vertical patterns created by the bolts of cloth and the books enliven the picture. This and other Connecticut portraits represent the finest period of Earl's work, blending a straightforward realismRealism (with an upper case "R"), also known as the Realist school, denotes a mid-nineteenth century art movement and style in which artists discarded the formulas of Neoclassicism and the theatrical drama of Romanticism to paint familiar scenes and events as they actually looked. Typically it involved some sort of sociopolitical or moral message, in the depiction of ugly or commonplace subjects. One of the main representatives and spokesmen was the painter Gustave Courbet. In the dispute about ways to represent reality, Realism rebelled against the idealistic and classicist tendencies in painting. with the polished grace that the artist acquired during his years abroad.
@online{wga-r76e77b53e7b291,
author = {Krén, Emil and Marx, Daniel},
title = {Elijah Boardman by EARL, Ralph},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/earl-ralph-r40db6ad26d4411/elijah-boardman-r76e77b53e7b291},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
The archive catalogues no further works by this artist.
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