03 — ARTWORK
Last Judgment (detail)
- MEDIUM
- Stone
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
THIS REPRODUCTION DOWNLOAD THE FULL FILE ↓
- FILE
- 870 × 1068 px · JPEG
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
In one of the most graphic scenes in RomanesqueStyle of art and architecture prevailing throughout most of Europe in the 11th and 12th centuries, the first style to achieve such international currency. The dominant art of the Middle Ages was architecture, and 'Romanesque', like 'Gothic', is primarily an architectural term that has been extended to the other arts of the period. As the name suggests, it indicates a derivation from Roman art, and sometimes Romanesque is used to cover all the developments from Roman architecture in the period from the collapse of the Roman Empire until the flowering of the Gothic roughly AD 500-1200. More usually, however, it is applied to a distinctive style that emerged, almost simultaneously, in several countries - France, Germany, Italy, Spain - in the 11th century. It is characterized most obviously by a new massiveness of scale, reflecting the greater political and economic stability that followed a period when Christian civilization seemed in danger of extinction. Romanesque painting and sculpture are generally strongly stylized, with little of the naturalism and humanistic warmth of classical or later Gothic art. The forms of nature are freely translated into linear and sculptural designs which are sometimes majestically calm and severe and at others are agitated by a visionary excitement that can become almost delirious. Because of its expressionistic distortion of natural form, Romanesque art, as with other great non-naturalistic styles of the past, has had to wait for the revolution in sensibility brought about by the development of modern art in order to be widely appreciated. sculpture, the Weighing of the Souls is taking place between the Archangel Michael and the Devil, and behind them stands Luxuria with snakes at her breasts. Behind Michael's back, facing Christ, is the twelfth apostleone of the twelve disciples of Jesus, chosen personally by him from amongst his large crowd of followers in order to continue his work and preach the gospels., who is opening the Book of Life that is being weighed for the Judge.
CITE THIS RECORD — BIBTEX
@online{wga-rb3e6f2b3ecc23b,
author = {Krén, Emil and Marx, Daniel},
title = {Last Judgment (detail) by GISLEBERTUS},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/gislebertus-rf164ca43773af9/last-judgment-detail-rb3e6f2b3ecc23b},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
