STAGING

DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.

Exterior view - GIULIO ROMANO - WGA
THIS REPRODUCTION DOWNLOAD THE FULL FILE ↓
FILE
1600 × 1200 px · JPEG

03 — ARTWORK

Exterior view

GIULIO ROMANO · 1521 →

MEDIUM
Photo
TYPE
Other

PALETTE

HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.

PERIOD MUSIC

BYRD, William (1543-1623) — Agnus Dei

COMMENTARY

UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.

In addition to the completion of Raphael's unfulfilled commissions, Giulio immediately received independent architectural assignments. In 1520-21 he had the opportunity to capitalize on the fashion for suburban villas, which the Madama had helped to create, when Baldassare Turini commissioned a residence (now known as the Villa Lante) on the Janiculum Hill. The setting suggested a classical conceit: it was the site of a villa thought to be owned by the Roman writer Martial (c. AD 40-104), a link that Turini wanted to celebrate. Giulio's capacity to enunciate modern building language through an vocabulary gave him perfect credentials for Turini's task. (Giulio's role in the design of the villa is controversial; it has been also suggested that the project was begun by Raphael).

The design acknowledged the building's ancient predecessor by following the outline of its ruins and the (later enclosed) on its extant foundations. The details of the structure, however, were not calculated to conform to the Roman canon. The villa is high and narrow, with vertical continuity stressed in the placement of the orders, which are delicately scaled and without massive projection. The pristine Doric order of the ground-floor is surmounted by elegantly shallow Ionic pilasters, whose volutes swell only slightly from the surface of the wall. The lightness conveyed by the dainty proportions of the orders is apparent also in the simplified - just an and - and is continued in the tall, narrow arches of the loggia. The canonic orders here begin to be treated visually as independent from their structural purposes, and this liberation offered the architect new expressive possibilities.

Today, the property is owned by the Republic of Finland, and the building houses the Institutum Romanum Finlandiae and the Embassy of Finland to the Holy See.

CITE THIS RECORD — BIBTEX

@online{wga-re8a6dba1d82899,
  author       = {Krén, Emil and Marx, Daniel},
  title        = {Exterior view by GIULIO ROMANO},
  organization = {{Web Gallery of Art}},
  date         = {2026-09-13},
  url          = {https://beta.wga.hu/artists/giulio-romano-re56a65c28482fc/exterior-view-re8a6dba1d82899},
  urldate      = {2026-09-13},
  langid       = {english}
}

ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.

FIND MORE 103 IN THE ARTWORK SEARCH →
KEYBOARD ↑↓MOVE CTRL KGO TO /SEARCH
GO TO
↑↓/TAB MOVE · ↵ GO · ESC CLOSE

KEYBOARD

Moving without the mouse

BROWSING

↑ ↓ / J K Move a row when a list is available

← → Move one record when a list is available

Open the marked record

ESC Clear a marker, blur search, or close a safe transient surface

FINDING

/ Focus visible search; opens mobile navigation first

CTRL K Open Go to

00–20 Go to a section

? Open or close this help

GO TO

↑ ↓ / TAB Choose a result

Follow the selected result

CONTEXTUAL

Artwork viewer: open an artwork image, then use its visible close control or ESC.

Guided tours: while reading a tour, turns to the previous page and turns to the next page; not a global shortcut, and ignored in editable controls or while the artwork viewer owns the keyboard.

SECTIONS

O 00 · HOME

A 01 · ARTIST INDEX

P 04 · POSTCARD SERVICE

E 06 · GENERAL CONTENT

I 07 · INSPIRATION

S 08 · SEARCH RESULTS

D 09 · DUAL MODE

G 10 · GUESTBOOK

C 11 · CONTRIBUTORS

W 12 · ARTWORK SEARCH

Y 13 · GLOSSARY

B 14 · ABOUT THE COLLECTION

N 15 · STATISTICS

V 16 · VISITOR ITINERARIES

R 17 · ITINERARY BUILDER

M 19 · TIMELINE EXPLORER

U 20 · GUIDED TOURS

FEEDBACK