03 — ARTWORK
Virgin and Child
- MEDIUM
- Oil on oak panel, 34 x 25 cm
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · National Gallery of Art
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
This small painting is unique in Gossart's oeuvreThe complete body of works created by an artist. for its portrayal of the Virgin and Child in a palace interior. it is accepted as the original of a composition that exists in at least three other versions.
The painter featured his favourite pigmentcoloured powder mixed with binding agents such as oil, glue, or resin to make paint., ultramarine, in an exaggerated, complex system of folds for the Virgin's drapery, which extends over nearly a third of the composition. The Child's muscular, expressive body, familiar from other late paintings, must have derived from Italian sources. Although the exact source cannot be identified, he may well have been looking at Italian Renaissance plaquettes, such as The Infant Hercules Strangling Two Serpents by Moderno.
@online{wga-rb57e03775dadff,
author = {Krén, Emil and Marx, Daniel},
title = {Virgin and Child by GOSSART, Jan},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/gossart-jan-r3dc6e56b5e425a/virgin-and-child-rb57e03775dadff},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.