03 — ARTWORK
Catharina Both van der Eem
- MEDIUM
- Oil on canvas, 137,2 x 99,8 cm
- TYPE
- Portrait
PALETTE
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- FILE
- 803 × 1103 px · JPEG
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Catharina Both van der Eem c. 1620 Oil on canvasA woven cloth used as a support for painting. The best-quality canvas is made of linen; other materials used are cotton, hemp, and jute. It is now so familiar a material that the word 'canvas' has become almost a synonym for an oil painting, but it was not until around 1500 that it began to rival the wooden panel (which was more expensive and took longer to prepare) as the standard support for movable paintings (the transition came later in Northern Europe than in Italy). Canvas is not suitable for painting on until it has been coated with a ground, which isolates the fabric from the paint; otherwise it will absorb too much paint, only very rough effects will be obtainable, and parts of the fabric may be rotted by the pigments. It must also be made taut on a stretcher or by some other means., 137,2 x 99,8 cm Musée du Louvre, Paris
The pendantOne of a pair of related art works, or related elements within an art work. of the painting, also in the Louvre, represents Paulus van Beresteyn, the sitter's husband.
CITE THIS RECORD — BIBTEX
@online{wga-r8a0f09ca4afd5e,
author = {Krén, Emil and Marx, Daniel},
title = {Catharina Both van der Eem by HALS, Frans},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/hals-frans-r70576a8b6d10d2/catharina-both-van-der-eem-r8a0f09ca4afd5e},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
