La Hyre (also spelled La Hire) was a French BaroqueGLOSSARYThe period in art history from about 1600 to about 1750. In this sense the term covers a wide range of styles and artists. In painting and sculpture there were three main forms of Baroque: (1) sumptuous display, a style associated with the Catholic Counter Reformation and the absolutist courts of Europe (Bernini, Rubens); (2) dramatic realism (Caravaggio); and (3) everyday realism, a development seen in particular in Holland (Rembrandt, Vermeer). In architecture, there was an emphasis on expressiveness and grandeur, achieved through scale, the dramatic use of light and shadow, and increasingly elaborate decoration. In a more limited sense the term Baroque often refers to the first of these categories. The development of the Baroque reflects the period's religious tensions (Catholic versus Protestant); a new and more expansive world view based on science and exploration; and the growth of absolutist monarchies. classicalGLOSSARYRelating to the culture of ancient Greece and Rome (classical Antiquity). The classical world played a profoundly important role in the Renaissance, with Italian scholars, writers, and artists seeing their own period as the rebirth (the "renaissance") of classical values after the Middle Ages. The classical world was considered the golden age for the arts, literature, philosophy, and politics. Concepts of the classical, however, changed greatly from one period to the next. Roman literature provided the starting point in the 14th century, scholars patiently finding, editing and translating a wide range of texts. In the 15th century Greek literature, philosophy and art - together with the close study of the remains of Roman buildings and sculptures-expanded the concept of the classical and ensured it remained a vital source of ideas and inspiration. painter whose best work is marked by gravity, simplicity, and dignity.
He was the son of the painter Étienne de La Hyre (c. 1583-1643) but was most influenced by the work of Georges Lallemant and Orazio Gentileschi. His picture of Pope Nicolas V at the Tomb of Saint Francis was done in 1630 for the Capuchins, for whom he executed several other works. For the goldsmiths' company he produced in 1635 St Peter Healing the Sick and the Conversion of St Paul in 1637. In 1648, with 11 other artists, he helped found the French Royal Academy. Cardinal Richelieu called him to the Palais-Royal about 1640 to paint decorative mythological scenes, and he later designed a series of tapestries for the GobelinsGLOSSARYFrench tapestry manufactory, named after a family of dyers and clothmakers who set up business on the outskirts of Paris in the 15th century. Their premises became a tapestry factory in the early 17th century, and in 1662 it was taken over by Louis XIV, who appointed Lebrun Director. Initially it made not only tapestries but also every kind of product (except carpets, which were woven at the Savonnerie factory) required for the furnishing of the royal palaces — its official title was Manufacture royale des meubles de la Couronne. The celebrated tapestry designed by Lebrun showing Louis XIV Visiting the Gobelins (Gobelins Museum, Paris, 1663-75) gives a good idea of the range of its activities. In 1694 the factory was closed because of the king's financial difficulties, and although it reopened in 1699, thereafter it made only tapestries. For much of the 18th century it retained its position as the foremost tapestry manufactory in Europe. 0udry and Boucher successively held the post of Director (1733-70). The Gobelins continues in production today and houses a tapestry museum..
