MASTER of the Holy Blood

South Netherlandish painter. The name was given to the anonymous painter of the triptychGLOSSARYA painting in three sections, usually an altarpiece, consisting of a central panel and two outer panels, or wings. In many medieval triptychs the two outer wings were hinged so that could be closed over the center panel. Early triptychs were often portable. of the Lamentation (Bruges, Museum Heilige Bloed) that belonged to the Bruges Brotherhood of the Holy Blood. Friedländer attributed 30 works to the Master, whom he characterized as a competent but unassuming practitioner, active in Bruges c. 1530. The paintings also show strong Antwerp influence, but the Lamentation triptych and that of the Glorification of the Virgin (Bruges, St Jacobskerk), both of which belong to the group of attributed works, have always been in Bruges, thus supporting the idea that the studio of the Master was there. The paintings also show affinities with the works of Gerard David, Albert Cornelis, Ambrosius Benson and Jan Provoost, who were also active in Bruges. According to Friedländer, the absence of donorGLOSSARYa patron who commissioned a work of art for a church. Donors sometimes had their portraits included in the work they were donating as a sign of piety. portraits in the triptychs indicates that they were not made on commission but were produced for the open market, presumably for export.