03 — ARTWORK
Allegory with a Virgin
- MEDIUM
- Oil on oak panel, 38,3 x 31,9 cm
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
This rather enigmatic painting has been studied in depth recently, enabling us to venture a more solidly based jjudgment regarding both its authenticity and the significance of the representation. It should be noted at the outset that the topmost part of the landscape has been entirely overpainted and can thus form no part of the interpretation. The rock with the virgin and the lions are, however, still in a fairly good, original condition.
A young woman is shown standing in a giant piece of amethyst. She is wearing a violet-brown Burgundian dress and her hands are crossed level with her lap on a point of the crystal. This characteristically chaste pose is further emphasised by her downward gaze. Two lions, with golden shields attached to their bodies, stand threateningly on either side of a small stream that springs from the rocks and carries gemstones and coral in its current. Because of its colour, amethyst is associated with the violet, the emblem of humility and virginity. The lions are clearly intended as guards and so their shields are military rather than heraldic in function. The spring represents the Water of Life and the gemstones are a reference to Paradise. The image can thus be interpreted as an allegoryA work of art which represents some abstract quality or idea, either by means of a single figure (personification) or by grouping objects and figures together. Renaissance allegories make frequent allusions both to both Greek and Roman legends and literature, and also to the wealth of Christian allegorical stories and symbols developed during the Middle Ages. of the strength of Virginity or Purity, which leads to eternal life. The city in the left distance is influenced to a large extent by the Brussels St Sebastian. This may be attributed almost certainly to the restorer.
@online{wga-rd3659e0b512368,
author = {Krén, Emil and Marx, Daniel},
title = {Allegory with a Virgin by MEMLING, Hans},
organization = {{Web Gallery of Art}},
date = {2026-09-07},
url = {https://beta.wga.hu/artists/memling-hans-r4666dbd4a024c7/allegory-with-a-virgin-rd3659e0b512368},
urldate = {2026-09-07},
langid = {english}
}ACCESSED 2026-09-07. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.