MÄLESSKIRCHER, Gabriel

German painter, active in Bavaria. His work, still distinctive despite considerable losses, forms an important branch of the little-researched Munich school of painting of the later 15th century. He probably trained in the Netherlands.

His most important commission came from his brother-in-law Abbot Konrad Ayrinschmalz (reg 1461-92). This consisted of 13 apparently similar large retables and 2 smaller ones for the newly built naveGLOSSARYthe main interior space of a church building. It may have parallel aisles on each side, often separated from it by pillars, and is intersected by the transept, which cuts across it at the point where the choir begins. (1471-76) of the church of the Benedictine monasteryGLOSSARYthe complex of buildings used by a community of monks. Among the main elements of the complex are the church, cloister, chapter house (used by the governing body), refectory (dining room) and dormitory (sleeping quarters). of St Quirin at Tegernsee. Archives give names of the patrons of the altars for whom Mälesskircher created the panels, and their years of execution. It can be inferred from the surviving fragments that the original works were winged altarpieces. The altarpieces were painted for the altars of the Virgin (1473); St Quirinus (1474); St Benedict (1475); St Vitus and the Martyr Saints (1476); Virgin Saints (1476); Sts John and Paul (1476); All Souls (1477); Four Doctors of the Church (1477); St Sebastian (1478); St Martin (1478); Four Evangelists (1478); the Three Kings (1478); and the Holy Spirit (1478). The two small panels, which may not have been winged altarpieces, were for the Poor Souls altar and the St Henry altar.

Mälesskircher's heavy emotional style and his crowded compositions mark him as a pupil of Hans Multscher.