03 — ARTWORK
Nave looking east
ROMANESQUE PAINTER, German · 1250 →
- MEDIUM
- Painted wood
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · St. Michael
03 — ARTWORK
ROMANESQUE PAINTER, German · 1250 →
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
Ottonian architecture reached a peak in the former Benedictine monasterythe complex of buildings used by a community of monks. Among the main elements of the complex are the church, cloister, chapter house (used by the governing body), refectory (dining room) and dormitory (sleeping quarters). church of St Michael In Hildesheim. In 996 the Hildesheim Bishop Bernward brought Benedictines from Cologne to Hildesheim and in 1010 began the construction of a church dedicated to St Michael. The building was completed in 1033. The RomanesqueStyle of art and architecture prevailing throughout most of Europe in the 11th and 12th centuries, the first style to achieve such international currency. The dominant art of the Middle Ages was architecture, and 'Romanesque', like 'Gothic', is primarily an architectural term that has been extended to the other arts of the period. As the name suggests, it indicates a derivation from Roman art, and sometimes Romanesque is used to cover all the developments from Roman architecture in the period from the collapse of the Roman Empire until the flowering of the Gothic roughly AD 500-1200. More usually, however, it is applied to a distinctive style that emerged, almost simultaneously, in several countries - France, Germany, Italy, Spain - in the 11th century. It is characterized most obviously by a new massiveness of scale, reflecting the greater political and economic stability that followed a period when Christian civilization seemed in danger of extinction. Romanesque painting and sculpture are generally strongly stylized, with little of the naturalism and humanistic warmth of classical or later Gothic art. The forms of nature are freely translated into linear and sculptural designs which are sometimes majestically calm and severe and at others are agitated by a visionary excitement that can become almost delirious. Because of its expressionistic distortion of natural form, Romanesque art, as with other great non-naturalistic styles of the past, has had to wait for the revolution in sensibility brought about by the development of modern art in order to be widely appreciated. painted ceiling was produced in the second quarter of the thirteenth century.
@online{wga-r759c0def586e84,
author = {Krén, Emil and Marx, Daniel},
title = {Nave looking east by ROMANESQUE PAINTER, German},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/romanesque-painter-german-r71032e015e24b3/nave-looking-east-r759c0def586e84},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.