03 — ARTWORK
Allegory of Arts
- MEDIUM
- Oil on canvas, 152 x 140 cm
- TYPE
- Mythological
PALETTE
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- FILE
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COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
AllegoryA work of art which represents some abstract quality or idea, either by means of a single figure (personification) or by grouping objects and figures together. Renaissance allegories make frequent allusions both to both Greek and Roman legends and literature, and also to the wealth of Christian allegorical stories and symbols developed during the Middle Ages. of Arts c. 1640 Oil on canvasA woven cloth used as a support for painting. The best-quality canvas is made of linen; other materials used are cotton, hemp, and jute. It is now so familiar a material that the word 'canvas' has become almost a synonym for an oil painting, but it was not until around 1500 that it began to rival the wooden panel (which was more expensive and took longer to prepare) as the standard support for movable paintings (the transition came later in Northern Europe than in Italy). Canvas is not suitable for painting on until it has been coated with a ground, which isolates the fabric from the paint; otherwise it will absorb too much paint, only very rough effects will be obtainable, and parts of the fabric may be rotted by the pigments. It must also be made taut on a stretcher or by some other means., 152 x 140 cm The Hermitage, St. Petersburg
The painting depicts three women as an allegory of the liberal artsThese represented the subject matter of the secular 'arts' syllabus of the Middle Ages; first the preparatory trivium - grammar, rhetoric and dialectic, then the basis of a philosophical training, the quadrivium, comprising arithmetic, geometry, astronomy and music. By the 13th century each had been given a pictorial identity, together with identifying attributes (e.g. a measuring rod for geometry) and exemplars (e.g. Pythagoras for arithmetic, Tubal for music).While treated with a stylistic variety that reflected current pictorial concerns, whether with iconographic completeness (Andrea da Firenze in the Spanish Chapel at S. Maria Novella in Florence), or with narrative (Pinturicchio in the Vatican) or with the nude (Pollaiuolo's tomb of Sixtus IV in St Peter's), the theme was left remarkably intact by artists whose own activity (save through the mathematics of perspective) was excluded from it as manual rather than liberal., Painting, Sculpture and Architecture. The marbleloosely applied to any hard limestone that can be sawn into thin slabs and will take a good polish so that it is suitable for decorative work; more strictly, it refers to metamorphosed limestones whose structure has been recrystallized by heat or pressure. Marbles are widely disseminated and occur in a great variety of colours and patterns, but certain types have been particularly prized by sculptors. The most famous of Greek white marbles in the ancient world was the close-grained Pentelic, which was quarried at Mount Pentelicon in Attica. The Elgin Marbles are carved in Pentelic. Widely used also were the somewhat coarser-grained translucent white marbles from the Aegean islands of Paros and Naxos. Parian marble was used for the celebrated Mausoleum at Halicarnassus. The pure white Carrara marble, quarried at Massa, Carrara, and Pietra Santa in Tuscany from the 3rd century BC, is the most famous of all sculptors' stones. It was used for the Apollo Belvedere, and was much favoured in the Renaissance, particularly by Michelangelo, who often visited the quarries to select material for his work. Neoclassical sculptors also favoured Carrara marble because of its ability to take a smooth, sleek surface, but it can look rather 'dead' compared with some of the finest Greek marbles. bust of Homer in the foreground represents Poetry.
CITE THIS RECORD — BIBTEX
@online{wga-r023a96eb063225,
author = {Krén, Emil and Marx, Daniel},
title = {Allegory of Arts by STROZZI, Bernardo},
organization = {{Web Gallery of Art}},
date = {2026-09-09},
url = {https://beta.wga.hu/artists/strozzi-bernardo-rf2902d3a533cf6/allegory-of-arts-r023a96eb063225},
urldate = {2026-09-09},
langid = {english}
}ACCESSED 2026-09-09. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.
