03 — ARTWORK
The Resurrection
- MEDIUM
- Oil on canvas, 163 x 104 cm
- TYPE
- Religious
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
DEVELOPMENT BUILD — NOT FOR PUBLIC USE. CONTRIBUTE ON GITHUB.
CURRENT LOCATION · Palazzo Ducale (Urbino)
03 — ARTWORK
PALETTE
HOVER OR TAP A SWATCH FOR NAME, SHARE AND HEX. SAMPLED FROM THE IMAGE — INDICATIVE, NOT A PIGMENT ANALYSIS.
COMMENTARY
UNDERLINED TERMS ARE DEFINED IN THE GLOSSARY.
This painting was originally part of a processional banner for the Corpus Domini brotherhood in Urbino. Documents relating to payments made in 1542 and 1544 still exist. As early as 1546, the banner was split. Here, Titian is repeating the composition of the PolyptychA painting (usually an altarpiece) made up of a number of panels fastened together. Some polyptychs were very elaborate, the panels being housed in richly carved and decorated wooden frameworks. Duccio's "Maestà" (1308-1311) is a well-known example. of the Resurrection. The greater range of colours, however, is typical of his work shortly after 1540, even though both sections of the banner would have been produced with the assistance of his workshop.
@online{wga-r0691761e3faed6,
author = {Krén, Emil and Marx, Daniel},
title = {The Resurrection by TIZIANO Vecellio},
organization = {{Web Gallery of Art}},
date = {2026-09-13},
url = {https://beta.wga.hu/artists/tiziano-vecellio-rf16f53052a933d/the-resurrection-r0691761e3faed6},
urldate = {2026-09-13},
langid = {english}
}ACCESSED 2026-09-13. REPLACE THE AUTHOR FIELD WITH THE COMMENTARY AUTHOR WHERE ONE IS NAMED.